![]() In addition to fulfilling her “glorious, lifelong urge to learn,” expeditions offered Christie an escape from the pressures of fame, says Laura Thompson, author of Agatha Christie: A Mysterious Life. “he had a gift for piecing them together very patiently.” The methodical nature of the work greatly appealed to the mystery novelist, who “was of course fascinated by puzzles, by the little archaeological fragments,” as Charlotte Trümpler, who co-curated an early 2000s exhibition on Christie and archaeology, told CNN in 2011. She spent her mornings writing and her afternoons in the field, photographing excavations and conserving and cataloging finds. As the wife of Max Mallowan, a British archaeologist who led digs in Syria and Iraq, Christie often accompanied her husband on his trips to the Middle East, all while she was at the peak of her powers as a best-selling author. Poirot’s comparison is an apt one that reflects his creator’s oft-overlooked interest in archaeology. … That is what I have been seeking to do-clear away the extraneous matter so that we can see the truth.” ![]() Toward the end of Agatha Christie’s 1937 novel Death on the Nile, detective Hercule Poirot likens his investigation to an archaeological excavation, declaring, “You take away the loose earth, and you scrape here and there with a knife until finally your object is there, all alone. ![]()
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